The ethic of Wall Street is the ethic of celebrity. It is fused into one bizarre, perverted belief system and it has banished the possibility of the country returning to a reality-based world or avoiding internal collapse. A society that cannot distinguish reality from illusion dies.
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I was driving home toward Brooklyn when
Questlove called, out of breath with excited indignation. “Yo man, have
you heard ‘Accidental Racist’?” I hadn’t. He was apoplectic. “You’ve
gotta listen to this song! I can’t believe they went there. And LL’s
worse than Brad! You gotta write something about this.”
I Googled it as I drove. I know I shouldn’t have but I couldn’t help
it. The title had me nervous: racism is the exercise of power so you
can’t really be an accidental racist though you can benefit from and
receive white privilege without attempting to. Maybe that’s what Brad
and LL meant. I was trying to have an open mind, but the phrase conjured
up an apology rooted on a disavowal of fault that made me cringe. To
hear whites say that their privileged position isn’t their fault is
insulting. And while recording artists can sometimes discuss race in
smart ways (think of the work of Public Enemy or Sly Stone’s “Don’t Call
Me Nigger, Whitey,”) it’s hard to have a nuanced conversation within
the constraints of lyrics. Still, as I pressed play, I wondered if the
song would find its way over my low expectations. It did not.
Brad Paisley’s apology song, dripping with white guilt, is a mea culpa
for wearing a symbol of the confederacy — a symbol of slavery and
white supremacy. To claim, as Paisley does, that wearing a confederate
flag is actually about being a Lynard Skynard fan so we should ignore
the dominant meaning, is silly. You can’t wear a swastika and say, “Oh
don’t be upset–I’m thinking of the way the Chinese used it before it was
appropriated by the Nazis.” That’s not how symbols work. If you choose
to walk around wearing a confederate flag tee, instead of one with the
words “Lynard Skynard,” then you’ll make some people rightly
uncomfortable and wondering how deep your nostalgia goes and how
insensitive you are. I have no problem with Southerners being proud of
the South, but Paisley does have a lot to learn, as he concedes.
Then there’s LL. His first verse is fine, many of us feel like “new
dangled Djangos dodging invisible white hoods,” because racism now often
operates in secret. And I’m glad LL stands his ground to say the
confederate flag is off-putting. But in the chorus things go astray.
First there’s an egregious false comparison: “If you don’t judge my doo
rag I won’t judge your red flag.” The flag is a symbol of a time and a
place where slavery was legal and may communicate a sentimentality for
that time. A doo rag is a piece of clothing that has no inherent
symbolism. That some whites are frightened by blacks
in doo rags or hoodies or Starter jackets (back when people wore those)
doesn’t make them equivalent to the flag of what was once a nation.
But then things go completely off the rails. I wonder if LL was
drugged when he wrote and recorded the lyrics, “If you don’t judge my
gold chains, I’ll forget the iron chain.” How could he have not
recognized that as a possibly career-ending moment that would offend
almost all of his fans to the core? He follows with other references to
amnesia about a multi-century atrocity that still has a deep impact on
America. Let bygones be bygones? Slavery is a formative event that led
us to the current racial disparities in income inequality and
incarceration trends. It’s not excuse-making to recognize the pervasive,
continuing impact of slavery. It’s not necessary to speak of slavery
every day. But it’s critical to never forget.
I hope to never hear this horrible song again. I’m sure some will
walk away from this bizarre episode concluding that white artists are
better off not discussing race at all because it can only get them into
trouble. That’s not the message people should take. It’s their right to
discuss race, but artists must be thoughtful when dealing with this
topic or risk hurting the audience. But that’s a message to Brad. My
message to LL: You’ve got some explaining to do. I know that both of
them say that the song was supposed to be about forgiveness and they are standing by it,
but that’s not enough. They may want to consider doing a remix called
“Accidental Song” saying how they didn’t mean for “Accidental Racist”
to come out, that it was just an accident.
That is good to read as I am doing all those on a 4 week course called (originally) Purely Core. We are (supposed to be) building in daily exercises into our lives: planks and side planks every day and v-sits and dead bug every other day plus cardio 5 times a week. traffic and leads training academy .
That is good to read as I am doing all those on a 4 week course called (originally) Purely Core. We are (supposed to be) building in daily exercises into our lives: planks and side planks every day and v-sits and dead bug every other day plus cardio 5 times a week.
ReplyDeletetraffic and leads training academy .